Tuesday, August 14, 2012

Taring Padi (Teeth of the rice plant)

Yogyakarta, it's a funny name and not an elder god from a book by HP Lovecraft. It is in fact a city, the capital of Special Region of Yogyakarta on the Island of Java, Indonesia. Known for it's classical fine Javanese art, such as batik, ballet, music and puppet shows. It is here in Bantul and underground collective of artists formed in 1998 after the death of Suharto. Suharto is debated as either a hero or a villian, for the most part he improved education, health and living standards in the 31 years he ruled Indonesia but by the 1990's widespread corruption and authoritarianism had taken its toll on the people.

Suharto

Taring Padi are a collective of cultural activists/artists that see themselves as rebuilding cultural democracy. They strongly oppose "Art for Art", which under the rule of Suharto, was maintained through cultural institutions and private state. As well as creating wonderful propaganda art they have organised some radical protests and performances. I will be looking more closely at the following work "Buruh Bersatu" - The workers unite, a woodcut print which is currently hanging on the walls of the GOMA.

The Workers Unite (2003) from the current GOMA exhibit Propaganda?

Elements of Design: The artwork is a large black and white woodcut in a cartoon style. It is predominately line work with shaded areas built up with crosshatching such as one would find in a cartoon. You are drawn to the centre by an image depicting workers using their tools as weapons. Reminiscant of some of the older European propaganda posters.

Presentation and display: Printed onto unprimed canvas and hung like banners on the gallery walls. Banners that are also used in protests.

Styles, genres the art belongs to: The style reminds me of some of the old woodcuts from the illustrator José Guadalupe Posada. Who was a political satirist/cartoonist who lived in Mexico, 1851 - 1913. The image is very similar to the style of anime and it also reminds me of some images found in the old Cole's Funny Picture Books.


Jose Guadalupe's depiction of the tyrannical General Huerta.

Image from one of the Cole's funny picture books, first published in 1869.

Subject matter: The image represents empowerment of the workers. Taring Padi translates to "The rice that have teeth". The workers are fighting with their tools against the remnants of Suharto's military regime. They are fighting for social change, justice and democracy.

Materials: All of their work is made by hand. It is a woodcut. It is printed on raw, unprimed canvas and hung like a banner or a flag might be hung on a wall. This material may be associated with the poor. The piece is a relief work. No mechanical press was used, a large piece of wood is placed on top of the canvas and the artists stand upon it to press the image onto the canvas. This process is not usually not carried out this way any more. The process behind this artwork is also important as it represents community, hand made and hard work. It is the opposite of mass produced materials.

To understand this artwork and access its meaning: Codes include propaganda, cartoon art specifically that of political satirists. Tyranny and rule under dictatorship and the uprising of working class people.  

The images that follow are propaganda posters and artwork from war, galleries, protests and revolutions from the 1920's to present...

Workers of the world unite - Banksy 2009



A piece from the People’s Republic of China
during the great Proletarian Cultural Revolution
during the 60's and 70's.

More workers propaganda from the late
1940's during the cold war era in the Soviet Union.

Here is a piece by Rodchenko during the Russian
Revolution (1920's).



WORKERS UNITE


From the Communist manifesto (1848) Carl Marx & Friedrich Engels.The full quote translates as such:
“Let the ruling classes tremble at a Communistic revolution. The proletarians have nothing to lose but their chains. They have a world to win. Working Men of All Countries, Unite!” 

And simplified as:
“Workers of the world unite, you have nothing to lose but your chains!”

Tuesday, August 07, 2012

Inspiration around the studio

I've been running around college taking photos of everyone and everything. Bouncing off my peers and their brilliant work. Being exposed to creative people in an atmosphere such as this is amazing. I cannot help but be swallowed up by the enthusiasm, and spat out all enlightened and hungry for more!

Old mate Holly left her bits from last semester laying
about the studio, what a bloody master piece.

Spotted this in the WC - Bat country.

I like to leave words of encouragement.

Master of Merz, baffled Nazi jerkz.

Let's differentiate, what is my art and what is
actually rubbish - ha!


Even the stains and drips excite me.

Monday, August 06, 2012

Week 5, how time flies.

So this is week 5 and yet somehow it feels like week 2 or 3. I've been spending so much time working on projects outside of college, I feel I have let some assignments/briefs slip. Such as the 3 précis due on the 17/8 -Yikes! I had a breakthrough with my idea for my installation piece, and I will keep an update on this blog as to how it is going.

The start of my installation, not that exciting eh?

I've been making small sculptures out of found cardboard, painted up all reds and yellows, blacks and whites. I'm pretty sure these will make an appearance in the exhibition...

Used in a certain art project.

And I've been hooked on Dutch curry soup...

Obviously we have some ratbags who don't know
how to clean up after themselves...

Tuesday, July 31, 2012

The great Brisbane river obsession

Last semester at Tafe, I became obsessed with the Brisbane river...

Collage on old map, lit from behind. 2012

Collage using Chinese lucky money. 2012

Collage using prepared paper (shellac & tar). 2012

Cartridge paper and bus map. 2012 (experimenting for final work below)

Water colour paper and eyelets.

Detail.





Thursday, July 26, 2012

Exhibition proposal

Working titles and key words for my series of art works:

Garbage Phoenix. Rebirth. Shlop 'til you drop. Consumer jam. iMerz. Decycle. Throwdown hoedown.

Artist Statement:

I collect things because I like them and I make art with them based on the messages I read in them. I like to use materials that have had a purpose before I find them. I reinvent them, hopefully with more pride and wonder than they previously had. If I cannot create something new everyday, it's quite possible that I could become sane again. Ergo, the need to carry a note book everywhere. With each day and each work, I don't think too much about it, instead opting to paste, paint, cut, sew, hammer and nail with much vigor, investigation and experimenting. I also like to explore people's perception of art, what they expect art to be and how it appears to narrow the older they get.

Proposed Artwork description & installation requirements:

I would like to include a series of a dozen or more small (100mm-400mm) collage works in various sizes, created from found materials such as cardboard and wood. These pieces may or may not be hanging and or free standing on plinths.  This is something I will need to nut out in the coming weeks. In addition to these works I would like to include an installation piece, which explores creativity through doodling and people's perception of art. It will be a small enclosed space similar in size to some of the walk in pieces created previously in Stephen's Sculpture class. The space will include an interactive bookcase filled with sketchbooks made from envelopes. I hope that people will make their own marks within this space.

Concept images:
Collage, chair back, wood, newspaper, gouache.


Collage, Balsa, x-rays, screen print, packaging.

Kurt Scwitters, (1887-1948) Dada, Constructivism. created Merz.

 
 Richard Tuttle, (1941-) Postminimalist, small intimate works.


Collage, string, eyelets, cardboard, envelopes

Collage, cardboard, packaging, envelopes, paint



Books created using envelopes and mail packages

Collage book with interactive elements

Minimlaist sculpture using found cardboard, paint

Tuesday, May 29, 2012

Shida's art and the analysis of cultural histories.

Interpret artwork through the analysis of cultural histories.

The image I will be comparing art works with through the anals of history, is a piece of street-art by Shida. Within this image I see things like roadkill, the chesire cat, rainbow serpent, skeleton in a shallow grave, distorted figure in a coffin, preserved animal, dragon, muppets, beasts and so on.


Post Modernism (present - 1975)

In popular culture today, we find dragons in movies cartoons and video games:

These cute little muppet critters are from the 1986 movie Labyrinth...

The creature "Flammie" is from the game "Secret of Mana"...



I also see the chesire cat from Alice in Wonderland...



And cats like to stretch, the resemblance is uncanny...




Shida's painting also conjurs creatures preserved in jars... 


Which reminds me of Damien Hirst's post modern piece "The physical impossibility of death in the mind of someone living"...


Modernism (1975 - 1875)

In Max Ernst's surreal piece, "Ocell de foc", one can see a distorted creature, similar to that in Shida's street art.


During the late 1800's in Mexico, Jose Guadalupe Posada created bold satirical pieces of some of the most horrible people from his time. He was also scaring the shit out of kids with images such as this one titled Calavera Huerista, which is based on the terror General Huerta.



Modern era (1875 - 1500)
Utagawa Kuniyoshi was printing images of the dreaded Tengu, a supernatural winged creature which tranaslates to "Heavenly dogs". In this ukiyo-e style woodblock print from the mid 19th century, we see the samurai Oki no Jiro Hiroari killing one of the monstrous dogs ...



Ernst Heackel a prominent biologist and artist from Germany was creating wonderful scientific drawings of all types of creatures. Though more well known for his documentation of the species radiolaria, he also documented other insects and small animals...



Medieval Era (1500 - 500)

During the medieval era, there were all kinds of stories about dragons and the knights that fought with them.  Here is the Lindorm Dragon, from the alchemical scrolls of Sir George Ripley.  


Ancient History (500 - 3350 BC) 

Ancient Egyptians believed in some strange creatures and gods like Anubis. Anubis often appeared as a sitting jackal and at other times he was portrayed as a man with the head of a jackal. Was Anubis an alien or animorphic creatures made by aliens, or just made up by the Egyptians for the heck of it? I guess we'll never really know. Wow, images, carvings and fetish's of Anubis date back to the 1st Dynasty,  3100-2890 BC.


Pre history (3350BC and beyond)

We return to Australia, where Shida's art hangs on the walls of industrial buildings. Here we find the ancient Aboriginees painted Rainbow Serpents on the walls of caves. Can you believe they were painting critters like this fromt between 40,000 and 60,000 years ago.




Tuesday, May 01, 2012

Idealogy and the other

The pen is truly mightier than the election signage.


The Sharpie for me represents = Freedom to doodle on anything. DIY Culture - zines, street art. Sticking it to the man, rebelling against the machine. Being a beatnik, hippie or punk and making a ruckus or causing general chaos. Glueing your poster, writing out your protest sign. Fighting the capitalists who try to control our world. Asking questions, until you get an answer. Making art to make people smile. How do I come to identify with the sharpie? Read on to find out more...

I am a white english speaking Australian that grew up in the Gen-X time frame. I am a heterosexual male seperated from my wife but we get along real swell. I had a comfortable to difficult upbringing, as my father did not earn a lot of money. I am mostly a visual person who sometimes requires a hands on approach to fully understand something new. Although I ran away from school before finishing my junior certificate I have gone on to study at a tertiary level. I have had my own business and I also ran a large child care centre for  several years. Recently I gave it all up to study full time, but I still work part time. I identify with many sub-cultures including street art, skate culture, and to some degree pop culture. I run a club of doodlers where there are no rules on what marks you make or who you have to be.


In the song "I should be allowed to think", TMBG mentions the use of magic markers to write on dry walls and uses the first lines from Allen Ginsberg's iconic poem Howl to set the scene for what would seem a dystopian future where you are not allowed to think, yet he is actually referring to now...

They Might Be Giants - I should be allowed to think.

In the movie Juno, Kimya Dawson sings a song about Loose Lips, she says:
"And I'll say fuck Bush and fuck this war
My war paint is Sharpie ink and I'll show you how much my shit stinks
And ask you what you think because your thoughts and words are powerful ".


Sticking it to the man, like Jack Black explains to his students in the movie School of Rock, so this woman does to her boss...

Sharpie's "Write out loud" advertising campaign.

Many street artists who have gone onto become famous artists started somewhere...

Sharpie's 2011 "Self Expression" advertising campaign.

Sharpie's "It starts with something" advertising campaign.

Street art and doodling can appear in the most unusal of places, sometimes it even happens inside under controlled circumstances...
Sharpies make people smile

Antithesis

I struggled to discover the antithesis to my sharpie. I considered it might be something like the machine, a large corporation or mining company, perhaps Clive Palmer himself or even the Liberal party. I mean they don't really seem to dig art at all. They're all about making money, keeping the rich happy and making a surplus. Take for example the Jackson Pollock "Poles" fiasco, where Whitlam was blasted by the LNP for wasting tax payers money on what they considered was a bit of rubbish, painted by a drunk person. The fact that it is now one of Australia's most famous piece of art work, is a credit to Whitlams very large balls. I think Whitlam was A-ok! Then there was Tony Abbott who is quoted as saying the art that hangs inside parliament house is merely avante-gard crap. I suppose Abbott's ideal art piece would be a quaint little oil painting of a shack sitting in the shade of a coolabah tree, what a dull little philistine. Qld has it's own art critic in Campbell Newman who in 2010, had council enter private property to clean up one of Anthony Lister's work, within hours of him having completed it.



But then it hit me, or rather my lecturer gave me the idea that the object that I truly rejected was the advertising for these monkeys. So after careful consideration, I realised he was right. Be it the LNP, Labor or the Greens, all of them are invading my visual space. Like weeds in the garden of eden as I walk the streets of my town. It is bad enough that we have no say in what we see on our streets, in regards to advertising billboards, bus stops and general advertising material. And then every election we are bombarded with the faces of people who seek to control our future. I did some research into the advertising of candidates and I was interested to find some strict rules (click here to read them) were in place. But unfortunately not all candidates follow them. For example election signs must be taken down 1 week after the election. Well two weeks later and here is a sign I saw just today whilst walking home...


I not only reject this but it makes me angry. It's another case of those who have the power are allowed to break the rules and get away with it. It's frustrating that the government can turn a blindeye to this kind of visual vandalism and yet take a dislike to another kind. Read here to see how the LNP plan to destroy all street art in Brisbane.

So what else can we do, but take our sharpies and draw little moustaches upon these election signs. I wonder if that qualifies for a synthesis?

Monday, May 28, 2007

Monster mix and match postcards...

I have been fairly busy the last few weeks with a cool project I'm putting together to promote my Illustration business. I'm working on a series of mix and match Monster postcards. There are a total of 10 monsters and twenty postcards in the series. Each monster is made up of two postcards, one for the head and one for the body. The idea is that the head and body of each monster can be swapped with other monsters. Here is a sample of the postcards.























The entire series can be seen on myspace. Just look for the Jimmy Trinket profile. I have finished seven of the monsters so far.

Enjoy!

All images are copyright "Jimmy Trinket Illustrations".

Tuesday, March 27, 2007

I'm back!!!

Wow I can't believe it's been a year and a half since I've written anything on this Blog. Where do I start?
Last year in September I left my job of fourteen years and started my own Illustration business. It hasn't been as productive as I thought it would be. I have illustrated for five Maths tutor books which can be found here http://www.theyoungscholar.com.au/book_sub_math.html. The last illustrations were done back in January, since then it has been a rather dry season. So I have been working at another school age care centre in the afternoons to help pay the rent so to speak.

During that time I have also been working on a mini folio that can be printed or downloaded online. It's all so bloody technical though and often I find myself struggling to stay sane as my computer refuses to do what I want it to do.

I have also in the last year rediscovered my love of computer games and consoles and have purchased one of those fandangled new Xbox 360 consoles. Oh my what a fracken awesome work of art it is!!! I have also turned our backroom (aka junkroom) into a fine office/theatre room with 3.5 metre screen.

Well that just about does it for this post, but I shall return soon with some new tales of terror!